The diminished scale pattern simply goes like this whole step half step whole step half step repeating this all thevway up and back. Due to this symmetry, one quickly sees that in fact, there are only three different diminished scales; each of the three scales may be definted in terms of four different roots: In other words, the Db, E, G, and Bb diminished scales use the same eight pitches. I like to think of these kinds of scales as mental gymnastics, not only for the player, but for the listener. Diminished Seventh Chords. The interval pattern is 1 - b9 - #9 - 3 - #11 (or b5) - 5 - 13 (6) - b7. I don’t always think about the scale starting on the root note. Master the bebop scale and its applications and you’ll have a technique that you can apply to Dominant, minor, half-diminished, and sus chords. Scale - Diminished 1,2,b3,4,b5,b6,6,7 FULL-th pattern Root note - D Guitar Tuning: Standard - E-A-D-G-B-E This scale is primarily used in jazz music and works well together with alternate seventh chords. Make those neurons pop. Since the diminished scale is symmetrical and you can moving everything around in minor thirds we can also see that if we have a G major triad, we will also have Bb, Db and E major triads. Also, try searching for more diminished scale patterns to apply, or come up with your own. I guess the best place to start is to define what a diminished scale is. It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. I first learned about the double diminished scale in the 1970s, inspired by pianists like Chick Corea and Herbie Hancock. This scale is great over a dominant chord, particularly a 13(b9) chord. But for, the problem was always that melodies with repeating patterns like that don’t sound that great. Actually they are basically the same scale, but depending on which one you intend to play. The Diminished Scale. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). How to practise a diminished scale. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). These CAGED scale patterns help you learn the diminished scale as it relates to standard CAGED chords. They are symmetrical. Half/Whole Diminished Scale Starting on Bb. 3 Functions Of Diminished Chords . Some overall characteristics: There are 9 notes that make up a diminished scale instead of eight. The Diminished Scale is: An Octatonic Scale (i.e. At that time, I was studying a book by Nicolas Slonimsky called Thesaurus of Scales and Melodic Patterns. The diminished scale will always sound tense, unless it's resolved. Two Scales As One . “Whenever you see or hear one of the chords from above…” Jazz is aural. Using the bebop scale over ii-V’s. Diminished Scale Patterns Diminished scales are divided into two categories: half-whole diminished scales, and whole-half Example 1 diminished scales. It’s formula follows an alternating pattern of whole steps and half steps—whole, half, whole, half—that repeats up to the octave root note, as illustrated in And as we’ll show you below…even ii-V’s. I decided to delve into this so I could better understand and use these scale and patterns in my music. In this "5-minute masterclass" we’re going to take a look into the diminished chord and scale. This means that the scales are constructed using a repeated pattern of half and h w h w etc. The Diminished scale is an important scale used in Jazz but can also be used in blues. I feel like my playing is at it's best when I have some sort of daily technique routine. It is generally played over dominant 7 chords (7b9). Its a symmetrical scale and thats what makes this possible. Diminished Scales. Pattern 1. play notes. You might start at different points. As long as you land on a chord tone in the next measure, you should be good to go. 0000001290 00000 n stream If your into jazz this is one you need to learn. The Diminished Scale is built upon two diminished seventh chords. There are plenty of resources to find these. For instance, Pattern 1 will correspond to a C chord. It is a symmetrical scale in that it follows a distinct pattern of steps, those being half step, whole step in a repeating pattern, not to be confused with the diminished scale which follows a whole step, half step pattern. First lets look at the scale as a shape. Diminished scales and chords are a very important subject. Dominant Diminished Scale Pattern. There are plenty of lead sheets where you simply see a dominant seventh chord. The diminished scale is a symmetrical scale, constructed from a repeated sequence of intervals (major second, minor second). Also, I want to emphasize what I said above. Whole step/half step diminished scales are the same configuration of notes except that you start the scale with a whole step rather than a half step. Pattern 3. play notes. Pattern 4. play notes . Here is a diminished scale starting on a Bb and beginning with a half tone. The Half/Whole Diminished Scale(C Db Eb E F# G A Bb) should be memorized before attempting memorization of the patterns below. This means that we can create some very interesting, repeating patterns. If your into jazz this is one you need to learn. Once again we can see a pattern in the dominant diminished scales. In classic music any music scale that contains eight notes is called an Octatonic scale. Diminished scales are symmetrical. In other words, for a Cdim7 chord, C – Eb – F# – A, you would use a C whole step/half step diminished scale. Almost every exercise I work on is played and sung through all twelve keys. If you look closely, you may notice that the A dominant diminished scale has exactly the same notes as the C, Eb, and F# dominant diminished scales. Once again, we will consider all of the equivalent scales: A, C, Eb and F# dominant diminished are equivalent. Here I have mostly followed the convention of sharps ascending and flats descending, but have used B instead of Cb. Half-Whole Diminished Scale (Auxiliary Diminished Blues) If you start with a half-step, the pattern is hwhwhwhw. Dealing with diminished scales naturally leads to diminished chords. It can also be used for fusion and heavy metal. Find guitar scales using graphic interface. In this page we're going to discuss a common jazz scale called the the Octatonic scale. Both diminished scales have a repeating pattern: half step – whole step and whole step – half step. To help dig deeper into this important scale, this lesson will cover one of the most commonly used dominant diminished scale patterns in jazz. 2. The diminished scale and how to use this scale building patterns from the diminished scale has always been a bit unclear to me. The diminished scale is built with a direct formula of whole and half steps repeated one after the other. 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